Tomislav came to me with the song and full creative trust — no mood board, no references, just the music and permission to take it wherever it felt right. I wanted fog and cold. Something that felt heavy and still, where the landscape disappears into itself. We shot on anamorphic lenses with analog film emulation to push that further — soft edges, muted colour, grain that makes the image feel like a memory rather than a recording.
Then November showed up and gave us the thickest fog the season had seen. After the first draft, Tomislav confirmed what I’d hoped — that the images didn’t just match the song, they found something in it he hadn’t put into words himself.